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Monthly Archive for August, 2009

The president in waiting

Ted Kennedy made a stop through Indiana during the 1972 presidential campaign and I covered the rally in Tarkington Park in Indianapolis. I was in the press section with my colleague Brian Knowlton, now with the New York Times. In addition to local government and politics, I wrote about rock’n’roll and covering those ear-blistering concerts prepared me well for that Kennedy rally. He was a political rock star. He was there to speak on behalf of Rep. Andrew Jacobs, who was facing a tough re-election bid, and George McGovern, the presidential nominee for the Democrats.Nixon and Kennedy

But the crowd was there for Kennedy. He barked out a speech in staccato bursts and the crowd cheered at all of the scheduled intervals. What a pro, I thought. This dude oozes politics from his pores.It was at the end of the speech that Brian turned to me and noted something interesting about Kennedy’s talk. He was there for McGovern, had spoken for 20 minutes about the virtues of the Democratic ticket, but had never once mentioned the candidate by name.

Truly a pro. He knew there would be a massacre at the polls and didn’t want to taint himself by even mentioning the presidential candidate. That’s a great politician, I thought.

That was just a few years removed from the bridge at Chappaquiddick and was too soon for Kennedy to have rehabilitated himself for a presidential run. For two generations, he was the president in waiting. But it was not to be.

It was never the right time. After Watergate, the country wanted an outsider and got Jimmy Carter. The ill-fated 1980 campaign showed Kennedy had lost a step as he finished a humiliating second in his party to Carter. By the middle of the 1980s, he had lost the charisma war to Ronald Reagan and settled into his senatorial role as the former boy wonder aging into the role of  happy warrior.

His brothers all died suddenly, in war or by assassination. Ted Kennedy had a longer time to reconcile himself to his long decline and, eventually, to accept and face death. As the patriarch-by-default, however, it was his sad duty to preside over the tragedies and excesses of the whole Kennedy bloodline. It was the price of longevity.

The press had a fascination with that family, a lurid obsession that was the equivalent of political porn.

Through the alcoholism, the Palm Beach rape, the accidents, the drugs, the drugs and the drugs, American audiences could not get enough of anything Kennedy. Ted Kennedy fought his own battles with excess but when things were at their worst, he was often at his best.

That was not always the case. Rarely had a political life been through such a symphony of scandal.

Chappaquiddick would have been the end of any other politician’s career. Perhaps it should have been the end of Kennedy’s. But once he recovered politically, it seemed, there was a new scandal – divorce, alcoholism – to be faced down. And then another one.

In death, some tributes will call him the lost president.  He was the sure thing that wasn’t.

It was a life bursting with trial and tragedy. Perhaps it was not unusual in that regard. But the spectacle for this family was played out in the tabloids and it was the sad duty of the last surviving son to hold things in line the best he could.

He retained the family’s oratorical magic. When I think of him, I’ll recall his stirring eulogy for his brother Robert in 1968, and his concession speech at the 1980 Democratic Convention.

After running a brutal and somewhat mean-spirited campaign against Carter, he gave up with a speech as moving as any political speech I ever heard.  Looking back, you can see it as a farewell to the old days of Kennedy politics and his public realization that he would not fulfill what those of us in the press often called the family destiny. But as a skilled politician and speechmaker, he knew how to tantalize and hold out hope. “The dream shall never die,” he said. Then he waved, stepped back from the podium, and it was all over.

Ray Bradbury’s Fahrenheit 451 makes a return appearance

Maybe I’m just a geezer who never got it with graphic novels.

I grew up on comic books and loved them, from the DC super heroes, to the uber-cool Marvel mutants, to the great works of literature presented by Classics Illustrated comics.RAY BRADBURY

But I was  well removed from my comic- buying years when graphic novels began appearing. I figured they were just very good comics – well drawn, cooler angles, better paper.

It was probably Art Spiegelman’s Maus that changed my view of these books. That look at the Holocaust shocked a lot of people when it was published – you’re turning that atrocity into a comic book … featuring a mouse?  But Maus worked and earned respectability for the genre.

Now a great work of 20th Century fiction has been re-imagined as a graphic novel. Ray Bradbury’s Fahrenheit 451 (Hill and Wang, $30) takes that classic about a book burning culture and thought police and presents it anew, with the sharp visual style of artist Tim Hamilton.

Of course, Bradbury would embrace this. His classic books – The Martian Chronicles, Dandelion Wine, The Illustrated Man and the essential Stories of Ray Bradbury – loom large in my memories of childhood. I remember my older brother reading me Something Wicked This Way Comes from the top bunk, and I began a lifelong love for Bradbury’s work.

To my mind, he hasn’t gotten the respect he deserves as an American grand master. Unfortunately, his work has been marginalized as science fiction when it’s actually great fiction that often deals with science.

ray bradburys fahrenheit 451 the authorized adaptation Revisiting Ray Bradbury and appreciating Robert B. ParkerFahrenheit 451 was required reading when I was in high school. Let’s hope it still is. Some might make light of  a book about a society willing itself into illiteracy being turned into a glorified comic book. But Hamilton’s images match Bradbury’s elegance, wit and insight, and elevate the genre and make Bradbury’s masterful work sing again.

A couple of other graphic books of note: The Vietnam War (Hill and Wang, $19.95) by Dwight Jon Zimerman and Wayne Vansant fills its 145 pages with history and heartbreak, serving as an excellent primer on the war. And soon to arrive: Robert Crumb’s The Book of Genesis Illustrated (W.W. Norton, $24.95.). The Michelangelo of San Francisco hippie culture reimagines the creation of the world. I’ve taken a few bites out of the book and let me just say: this ain’t your father’s Bible.

PARKER OUT WEST:  Reading a book by Robert B. Parker is like taking a master class in writing. I’ve said this before – Parker writes as if he is being charged by the word.

In short, this is intense, tight writing. Everything he writes, it seems, has the urgency of a telegram.robert b parker large1 Revisiting Ray Bradbury and appreciating Robert B. Parker

He’s best known for his modern detectives:Spenser (most notably), Sunny Randall andJesse Stone.

But as if those three great cop characters are not enough for one writer’s career, he’s now begun a series of novels set in the West. These tales are built around gunslinger Virgil Cole and he and his pals are a lot like the characters in Larry McMurtry’s classic Lonesome Dove, only Parker’s cowboys aren’t nearly as verbose.

Brimstone (Putnam, $25.95) is the sequel toAppaloosa, recently movie-ized with with Ed Harris and Viggo Mortensen. Two tight-lipped cowboys and the girl they hope to save from the dark side make a great trio in the town of Brimstone.

Parker packs more entertainment into one paragraph that most authors do in a 400-page novel.

(From Bill McKeen’s Book Blog at Creative Loafing in Tampa www.creativeloafing.com)